Wraparound projection mapping.
Animation mapped across a coffered dome and the surrounding walls for an FIDF event.
I design the visuals that fill a room: LED walls, projection, stage identity. Before that, and still, I paint.
One-page CVI design for LED walls, panoramic screens, projection surfaces and freestanding builds. It has to read from the back of the room, not just on a monitor.
Selected event work, 2014 to 2026.
Selected event work, including the National Menorah stage identity I design each year. Click any image to enlarge.
Projection mapping, brand animation and documentary title design.
Animation mapped across a coffered dome and the surrounding walls for an FIDF event.
A logo reveal that runs in front of everything they publish. Two seconds, so it has to land immediately.
An opening title for a documentary-style piece. Editorial type held sharp, with the room left soft behind it.
One of my After Effects comps, pulled apart layer by layer. I posted it to show how a frame like that gets built.
Painting is where the rest of it comes from. Composition, light, and the problem of making something abstract concrete enough to look at.
An older painting of mine, animated in After Effects. Same image, moving.
More of these at @sketch.ish_.
I started with drawing. Illustration taught me to shape a frame, art direction taught me to shape a system, and live events taught me to shape a room.
Yitzchok is a highly skilled artist, who can create complex masterpieces as well as simpler illustrations. He works well under tight deadlines, and always delivers what he sets out to create.
A talent of the highest order. The originality of his work speaks for itself and his communication skills when dealing with a client is of the first order.